Love Story
2026 – Unique piece
13 × 23 cm
Recycled concrete, plaster, resin, photograph on printed paper, pencil
Vu de là-bas
2024 – Unique piece
13 × 23 cm
Recycled concrete, plaster, resin, photograph on printed paper, pencil
Commissioned Work
2025 – Unique piece
13 × 23 cm
Recycled concrete, plaster, resin, photograph on printed paper, pencil
Tour UP-site
2024 – Unique piece
8 × 5 cm
Concrete,photograph on printed paper, colored pencil, resin
Imprint 01
2024 – Unique piece,
8 × 5 cm
Concrete, photo transfer on printed paper, colored pencil.
Imprint 02
2024 – Unique piece,
8 × 5 cm
Concrete, photo transfer on printed paper, colored pencil.
Imprint 03
2024 – Unique piece
8 × 5 cm
Concrete, photo transfer on printed paper, colored pencil
Imprint 04
2024 – Unique piece
8 × 5 cm
Concrete, photo transfer on printed paper, colored pencil.
What once was mine
2024 – Unique piece
8 × 5 cm
Concrete, photo on printed paper, colored pencil, resin.
Imprint 05
2024 – Unique piece
8 × 5 cm.
Concrete, photo transfer on printed paper, colored pencil.
Imprint 06
2024 – Unique piece
8 × 5 cm
Concrete, photo transfer on printed paper, colored pencil.
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Imprint 07
2024 – Unique piece
8 × 5 cm
Concrete, photo transfer on printed paper, colored pencil.
Imprint 08
2024 – Unique piece
8 × 5 cm
Concrete, photo transfer on printed paper, colored pencil.
Imprint 09
2024 – Unique piece
8 × 5 cm
Concrete, photo transfer on printed paper, colored pencil
Imprint 10
2024 – Unique piece
8 × 5 cm
Concrete, photo transfer on printed paper, colored pencil.
Imprint 11
2024 – Unique piece
8 × 5 cm
Concrete, photo transfer on printed paper, colored pencil.
Mordor
2024 – Unique piece
8 × 5 cm
Concrete, photograph on printed paper, colored pencil.
Empire Dies From Within
Empire Dies From Within was born from a desire for closeness: to know a material as one knows a body, through touch, attention, and repetition. Each panel is handcrafted, one by one, combining new and recycled materials. The process is slow and repetitive, becoming a form of listening. Through this sustained engagement, the material reveals its strength, its limits, and its memory.
Then the image appears. How can the face of a building be inscribed onto the very material it is made of. Sometimes it holds, sometimes it fades, leaving behind a fragile trace between visibility and disappearance. The image is never fixed; it remains unstable, shaped by the surface that carries it.
Through this dialogue of material and image, inhabiting a space becomes more than occupying it. It is sharing time with it, recognizing its fragility, and witnessing its transformations. Human bodies and architectural bodies share the same mission: to foster life.