The Moment I Knew 
2025 – Unique piece
70 x 100 cm
UV print on canvas with watercolor, mounted on wood
from a fabricated model


Night Call
2025 – Unique piece  
18 × 24 cm
Inkjet print on canvas with watercolor, mounted on wood
 from a fabricated model





Bathroom Slip
2025 – Unique piece
30 × 42 cm
Inkjet print on canvas, watercolor, mounted on wood
from a fabricated model












Once it Was Over

 2025 – Unique piece
18 × 24 cm
Inkjet print on canvas, watercolorand glitter mounted on wood
from a fabricated model


Out of Service

2025
– Unique piece
29.7 × 42 cm
Grayscale inkjet print on canvas, hand-colored with watercolor, mounted on wood, from a fabricated model.







To Walk Like a Shadow

2025 – Unique piece
29.7 × 42 cm
Inkjet print on canvas with watercolor, mounted on wood
from a fabricated model



 



I’ll meet you there 0.1

2025 – Unique piece
 20 × 20 cm
Inkjet print on canvas with watercolor and glitter, mounted on wood, from a fabricated model.


I’ll meet you there 0.2

2025 – Unique piece
 20 × 20 cm
Inkjet print on canvas with watercolor and glitter, mounted on wood, from a fabricated model.

I’ll meet you there 0.3

2025 – Unique piece
 20 × 20 cm
Inkjet print on canvas with watercolor and glitter, mounted on wood, from a fabricated model.






Te Huur/ New York State of Mind

2025 – Unique piece
18 × 24 cm
Inkjet print on canvas, watercolor, mounted on wood
from a fabricated model



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What Can’t Be Tamed

2025 – Unique piece
62 × 94 cm
Inkjet print on canvas with watercolor, mounted on wood
from a fabricated model


Ghost Story

2025 – Unique piece
29.7 × 42 cm 
Grayscale inkjet print on canvas, hand-colored with watercolor, mounted on wood, from a fabricated model.








All Stars Shine

2025 – Unique piece
29.7 × 42 cm
Inkjet print on canvas with watercolor and bleach, mounted on wood, from a fabricated model









Plan à trois
 

2025 – Unique piece
18 × 24 cm
Inkjet print on canvas with watercolor and varnish, mounted on wood
 from a fabricated model.


Trick or Treat

2025 – Unique piece
18 × 24 cm
Inkjet print on canvas with watercolor and varnish, mounted on wood
 from a fabricated model.

Home, 
Sentimental Hysteria



Home,  Sentimental Hysteria), begins from a very concrete place: my apartment. Through its windows, the city appears in fragments: other buildings, other openings, lights, or barely perceptible gestures. This unchosen proximity is felt as a diffuse, distant presence. These visions vanish quickly, but some leave a faint trace, persistent enough to trigger an inner image. The works often began there, not from what actually happened, but from what was perceived or imagined.

The project is rooted in photography, not as a tool of representation, but as a space of transition. The image becomes an extension of visual thought, an attempt to give form to something not yet defined. Each step, from building models to photographing them and then intervening with paint, questions how images are made and transformed. Photography operates as an in-between space: it fixes while displacing, invents while remembering. What interests me is the moment when a mental image seeks to materialize, to become surface, light, and matter. This approach resonates with certain contemporary photographic practices, such as Thomas Demand’s, though here the aim is not to reconstruct reality, but to let its inner shadow emerge through an intimate space made visible by photography.

I recreate these scenes as models using simple materials: cardboard, plaster, paper, miniature objects. They do not seek architectural accuracy, but atmosphere and light. Fragile and unfinished, they remain deliberately hidden. I photograph them, print the images on canvas, then alter their surfaces with paint. Layers accumulate like memories that shift over time, reintroducing uncertainty. Between familiarity and distance, these spaces give as much weight to emptiness as to form.

What I present is not the original object, but its echo: fragments where the object slips into memory and the scene becomes sensation. The passage from one medium to another engages the formation of the image and its instability. The image becomes a mutable place, always in transformation, suspended between what has existed and what is imagined.